Monday, January 30, 2012

Ethos: using character to support an argument














I wanted to focus this week’s post on what I feel is the most overlooked of the appeals in writing.  I personally had a harder time understanding this concept compared to the others.  It can also be difficult to identify the ethos appeals in the arguments of others, because they are often very subtle or implied.

The aspect of ethos in an argument represents the writer’s values, character and credibility.  For an argument to be effective, the audience must have an appreciation for the writer’s authority, integrity, motives, and intelligence.  An argument can fall flat on its face if the writer fails to demonstrate these characteristics to an appropriate level, or if something negative becomes widely known that would counteract the message in a given argument (imagine Ron Blagojevich doing a public service announcement on the importance of integrity and honesty).

How to utilize ethos in academic writings:
  •  Claiming authority – the writer’s command over a subject

It’s important to impress upon your audience that you know enough information about a subject to deserve their attention.  It’s useful to relay personal experiences that connect you to the subject.  Anticipate audience need to understand who you are and what gives you the right to discuss the subject.  It also helps to write with a confident voice and use expressions of certainty rather than possibility.

  •  Establishing credibility – the writer’s honesty, values, and likeability

Claiming authority on a subject is a good start to establishing credibility.  There is also an important visual aspect to effective arguments.  In text, compositions need to be arranged in a way that conveys the message clearly.  Citing references, making footnotes, and including charts and graphs when appropriate will also make one’s claim more credible.  Another method is to use humor as a means of establishing a rapport with the audience and putting them at ease.  Additionally, one can show respect for the audience by addressing the objections you would expect them to raise.  Even admitting your limitations in knowledge on a subject can help shape your credibility.

  •       Coming clean about motives – whose interests are you serving?

A skeptical audience will want to know why you are arguing your position – what’s in it for you?  It’s a good idea to remember this strategy when your argument could appear to have ulterior motives or may result in benefitting yourself or some group to which you belong.  Remember to explain the reasons why you are arguing in favor of your position, and avoid the suspicions of those who otherwise might assume the worst about you.

Ethos in visual arguments

Brand names, company slogans and logos, and even clothing contain a visual argument that represents the positive characteristics of the entity being referenced.  A truck with a Ford symbol on it can be trusted to have been “built Ford tough.”  A bicycle with a name like Cannondale or Giant printed on its frame will be assumed to be more valuable than one that says “Mongoose.”  And when you see someone with an employee uniform at the ASU bookstore, you know you they are probably reliable enough to tell you where to find the graphing calculators. 

I wanted to show this self-portrait of a famous painter named Albrecht Durer, which I recently learned about in my art history class. 

Look closely at the signature below the windowsill.
  
The posturing and elegant clothing are intended to impress upon the audience the class and style that this man saw himself as having.  But what I actually wanted to point out was the little monogram that he created out of his initials:

He placed this mark on many, if not all, of his works.  It’s almost as if he intended to create a brand name for himself.  Anyone familiar with the name would see this symbol, and view the work of art with an appreciation not only for the art itself, but also for the reputation of the artist.  The symbol represents Durer's values for precision and quality, and reminds the audience of his authority over the subject of painting.

Thursday, January 26, 2012

Re: Visual Arguments

SATURDAY NIGHT LIVE
Visual arguments are ubiquitous in this modern day life inundated with product placements, commercial advertising and entertainment.  Images have the power to evoke a full range of human emotions and responses, and the use of images to develop an argument is a tool used by many people for many different purposes.  Politicians attempt to portray themselves as determined, reliable leaders through the use of professional attire, strong body language, and confident countenances in order to win elections.  Patriotic imagery is used to evoke a sense of nationalism and unity in the midst of disaster and strife.  Companies who hope to sell a product use imagery to make it seem as appealing as possible, and associate their goods with well-known people, in order to make use of their popularity.  Additionally, all manner of individuals and charitable organizations use visual arguments to promote their causes by evoking emotional responses and generating general awareness.  These are just a few ways in which visual arguments are employed.

One method of visual argument of particular interest to me is the use of comics and cartoonish imagery for the purposes of satire and social commentary.  They can shed a humorous light on otherwise serious topics, and reveal the ridiculousness of today's issues.  Sometimes, it's nice to just have a little levity to offset all the negativity and partisanship.

Here's an example:

Joe Heller - Green Bay Press-Gazette - Navy Seals - English - Navy Seals, Somali rescue, kidnappers, pirates, team six, 6, special forces, states of the union

Here we see a Somali pirate sitting in a tiny desert hideout, listening to the radio.  (For some reason, this one likes to wear sunglasses at night.  Maybe the only radio station they get is 80s pop.)  Next to him, somebody has been whisked away rather abruptly, leaving behind a pair of sandals and can of soda.  In the distance under the light of the moon a helicopter hovers, with a pair of Navy Seals (or maybe the individuals who were rescued) dangling from ropes.  Thus, this comic is celebrating the raid which occurred under cover of darkness and successfully freed two aid workers, and giving President Obama as well as the Navy Seals credit.  Interestingly enough, this raid was carried out just before the president's State of the Union address.  Intentional or not, the timing seems to be in his favor and may help to boost his popularity and approval ratings.

More details on the raid can be found here:
http://www.mysanantonio.com/news/article/SEALs-snatch-captives-from-Somali-pirates-2712858.php

Finally, here is an image that can be said to represent a different kind of argument:


And that argument is...kids are cute.

WP1 topics


Oh yes, by the way...I do have a plan for WP1.  Part one will involve analysis of a visual argument presented by a corporation attempting to redeem itself after a massively embarrassing public failure.  Part two will consist of putting a twist on a classic conflict in the video game realm, and drawing parallels to the lesser-known side a real-life conflict that has been ongoing for centuries that I think more people should know about.  I don't want to give away the specifics just yet ;)

Tuesday, January 17, 2012

Introduction


Hi. My name is Matt. 

My wife is Genevieve and we have a 2 year old son named Nikolai. 

Before coming to ASU, I was an Arabic linguist in the Air Force for eight years.  My wife used to be in the service as well; that’s how we met.  I’m from Colorado and she is from various places along the East coast.  Her family currently lives in upstate New York.

In addition to my studies in civil and environmental engineering, I also work part-time as a freelance translator – trying to put those years of language experience to good use while in school.  My wife is also a student at ASU, pursuing a degree in anthropology.  We both transferred our credits from our associate degrees that we earned while in the service.  Since they were mostly liberal arts credits, they transferred well into her degree program, and she’s a junior.  I, on the other hand, did not pick such a transferable major.  I’m still considered a freshman in my degree program since language and area studies credits don’t apply very well to an engineering degree.

So why did I pick civil and environmental engineering when hardly any of my credits transferred?  Well, I wanted to choose something completely different from language studies because I was bored with it.  Plus, there’s not that much demand for it in the jobs market and there is virtually no innovation.  I wanted to pick something that was different yet challenging – something that had a strong demand, something I could do almost anywhere, and something that pays well.  Civil/environmental engineering looked like a good match, so I went with it. 

Why choose ASU when neither of us is from Arizona?  Well, that’s something that requires a bit more explanation.  See, when I left the Air Force at the end of 2010, we were living in California near the Defense Language Institute in Monterey where I had worked as a language instructor.  I wasn’t sure exactly what I was going to do next, whether it would be searching for a job or going back to school or anything in between.  Genevieve happens to have a friend named Fran (also a veteran) who moved to this area because her husband got a job as an enrollment counselor at the University of Phoenix.  Fran convinced Genevieve that moving out here to be friends and neighbors would be just the best thing ever.  Since I didn’t have any prospects at the time, I went along with the idea.  The promise of free childcare being provided by Fran, a mother of two girls slightly older than our son, sounded pretty great.  It soon became clear to me that going back to school was a better option than looking for a new job since my skills in language are not really useful at all, outside of the translation world.  I'm too old to start at the bottom of the ladder at a dead-end job, so here I am.